same ole meの例文

• In the documentary " Same Ole Me ", several country music stars offer similar thoughts.
• In the video biography " Same Ole Me ", George recalled, " I was just so nervous.
• Recalling his first impression of the tune, he insisted in the 1989 documentary " Same Ole Me ", " Boy, I just flipped!
• "The Same Ole Me, " a twin-fiddle shuffle Ray Price recorded just before Bush joined Price's Cherokee Cowboys in the early 1960s.
• In the " Same Ole Me " retrospective, Johnny Cash insisted, " George Jones woulda been a really hot rockabilly artist if he'd approached it from that angle.
• It was released in September 1981 as the first single from the album " Still the Same Ole Me " . " Still Doin'Time " was George Jones'eighth number one country single as a solo artist.
• Former vice president of CBS Records Rick Blackburn recalls in the 1989 video " Same Ole Me " that the event had been hyped for weeks, with a lot of top press and cast members from " Saturday Night Live " planning to attend . " We'd made our plans, travel arrangements and so forth.
• Although Jones was enjoying immense success at this time, having renegotiated his contract with CBS, he was still ravaging his body with alcohol and cocaine, and appeared frighteningly frail when he made television appearances promoting the prophetic " Someday My Day Will Come . " However, the same year that " Still the Same Ole Me " came out, Jones met a 34-year-old divorc閑 named Nancy Sepulveda from Mansfield, Louisiana.
• His run of hits also continued in the early 1980s, with the singer charting " I'm Not Ready Yet ", " Same Ole Me " ( backed by the Oak Ridge Boys ) ", " Still Doin'Time ", " Tennessee Whiskey ", " We Didn't See a Thing " ( a duet with Ray Charles ), and " I Always Get Lucky with You ", which was Jones'last number one in 1984.
• At this point in his career, Jones had taken his place as one of the premiere balladeers of country music, but he always retained a soft spot for novelty numbers going back to his first recordings for Starday in the mid-fifties . " I've always tried to be versatile, " he reflected in the 1989 video biography " Same Ole Me " . " I've always tried to do up-tempos, novelties, and ballads . " The single was Jones'third top ten hit in a row.
• In the " Same Ole Me " retrospective, Sherrill recalls a heated exchange during one recording session : " I said'That's not the melody !'and he said'Yeah, but it's a better melody .'I said'It might be Kristofferson would think so too, it's his melody !'" In the same documentary, Sherrill claims that Jones was in such bad physical shape during this period that " the recitation was recorded 18 months after the first verse was " and added that the last words Jones said about " He Stopped Loving Her Today " was " Nobody'll buy that morbid son of a bitch ".
• Although he didn't write it, " I Can't Get There from Here " is one in a long list of songs that Jones would record as if it was torn from the pages of his diary; as Randy Travis stated in the 1990 Jones video biography " Same Ole Me ", " It's almost like he's lived every minute of every word he sings, and there's very few people who can do that . " Jones, who would be admitted into a neurological hospital to seek treatment for his binge drinking in 1967, had already gained a reputation as a notorious hell raiser, imbuing Frazier's words with a weary authenticity:
• Jones retained a lifelong disdain for the rock and roll sides he cut during this time, joking in his 1995 autobiography " I Lived to Tell It All ", " During the years, when I've encountered those records, I've used them for Frisbees . " However, some critics disagree, with Nick Tosches noting in his 1994 " Texas Monthly " article " The Devil in George Jones ", " Though Jones would never acknowledge it, the rockabilly impulse of the early fifties had affected his sound as much as the lingering voices of Acuff and Williams .'Play It Cool, Man, Play It Cool,'recorded by Jones in 1954, several months before Elvis's debut, had bordered on pure rockabilly . . . " In the 1989 Jones documentary " Same Ole Me ", Johnny Cash insisted, " George Jones woulda been a really hot rockabilly artist if he'd approached it from that angle.